At Live studios, we always like to encourage our musicians and students
to play with other people as much as possible. That’s why we have been doing our band workshops for several years now and those sessions are enjoyed by our students and our teachers alike. There is something special about different people gathering in a room and creating music together, it’s like giving birth to a new spirit or new being that otherwise wouldn’t be possible to create.
In order to enjoy playing with other people at any occasion and to benefit most from it, there are some things we can do and pay attention to, in order to make it smoother, more musical and enjoyable for ourselves and everyone else.
The most important thing whether you play music on your own or with other people. Music is a language and you communicate with other musicians by listening to them. So many times great sessions are ruined by a musician focusing on his own instrument and not listening to what’s going on in the band. Remember, everyone in the band is there for the music and not for their own individual’s sake. So, if you feel there should be more dynamics involved, or you should play quieter, louder, or maybe even stop playing at all at some point, always be aware of what’s going on in the song. If you are not sure what you need to do, keep your eyes open as well as ears. By watching other band members, you’ll be safe and aware when to change gears during a song.
2. Respecting the soloist
Let’s say you play in a rhythm section (drums, bass, guitar, piano…) and someone is soloing. Don’t ever force them into your own rhythmic/harmonic/dynamic variations - listen to them instead and just follow what they do - it’s their role to lead you and not vice versa.
3. Respecting the style
If you happen to play a song in a blues/jazz style, don’t try to play your heavy metal licks or double kick rolls over the song. It just doesn’t fit there. If you are not familiar with the style, just be as simplistic as possible and it will all be ok!
4. Don't overplay
Less is more, most of the time. Especially if you are a drummer. Nobody cares about drum fills every 2 bars, or every 4 bars, or sometimes even 32 bars. Same for guitarists, if there is a space for your solo in the song, that’s fantastic. Otherwise, the less, the better. Again, it’s all based on listening, being familiar with the style and the song.
5. Don't be afraid or ashamed if you are a beginner
Nobody will judge you, we are all here to learn and communicate through music. As already said above, even if you know only one rhythm or a couple of notes on the bass guitar, good musicians will know how to make the best use of your skills.
6. Don't be crushed by your own mistakes
If you make a mistake, make a mental note and just continue playing, but remember it and work on it later. Again nobody will judge you. The worst thing you can do is stop because you made a mistake. It’s not a big deal, it’s human!
There is always something to learn at any band session because it’s not just music, it’s the exchange of people’s energies when we play together. Even one song can sound different every time. That’s why we are keeping the band music alive at Planet Drum. We can’t wait to go back to our regular sessions hopefully once the lockdown is over. In the meantime, keep practicing your instruments!
Planet drum guitar teacher, Vladimir
Where do I find ads for musicians wanted?
There are so many places to look: Social media, local music shops, ads in the back of music magazines and online, notices in music venues and rehearsal studios, word of mouth, the possibilities are endless – and it’s easy to get lost.
The key is: to know what YOU want.
Knowing what you want to achieve will make you better to work with, more positive and focused and undoubtedly help you reach your goals faster.
What do I want to gain out of the experience?
Some people think of it as a hobby and others as a career choice, either way, it’s about enjoying yourself.
Work out how and where you see yourself playing and what kind of commitment you are prepared to make.
If you’re not sure, talk to your tutor, other musicians and friends, get involved with workshops, join a drumming group or musical collective.
Sometimes you need to find ways to bounce ideas around before making an initial commitment to a band.
What type of music do I want to play?
This is not about playing one style but it’s helpful to give yourself a starting point so that finding people becomes easier.
You’re likely to discover all sorts of sounds that inspire you and, ultimately, it’s about finding like minded people to play with.
Most bands looking for members state music their musical preferences in their ads. Match your taste against theirs. If it fits, get an audition.
How long before I find something?
Some of you may feel ready to go out there and find your band, others might want to join workshops, collectives and jam with other musicians to get a better idea of which direction they want to go in, musically.
The advice is always the same - If you practice hard, give it your all and keep an open mind, you're likely to do just fine.
Putting the work in will open doors to all sorts of opportunities and the more you put yourself out there, the more chance you have.
Get involved, stay focused and things will fall into place.
Don’t forget if you're a drummer, that compared to the other members of a band, drummers are in high demand, so use this to your advantage.
And above all – ENJOY THE RIDE!
What are the musical commonalities between famous artists such as Skrillex, The Prodigy, Jay-Z, Slipknot, Bjork, Oasis, Amy Winehouse and Duran Duran?
The answer is rhythm. All of these artists have at one point used a specific rhythm pattern that is so identifiable you would recognise it even if you have never heard the original title song.
At just 6 seconds long it is the most sampled rhythm in the history of drums.
The Winstons, below, were an American funk and soul band who were not very well known, (their drummer G.C. Coleman even more so) and they released a song in 1960 titled ‘Amen Brother’, listen below! Little did they know that a sample derived from the drum solo in this track would become the ‘Amen Break’ - the most sampled rhythm in the history of drums.
The Amen Break is a loop of 4 bars that was popularised by the drum sample album ‘Ultimate Break and Beats’ released in 1986 for the DJ population. Since the sample was created it has become a prominent feature in mainstream music, featuring in a host of famous songs such as; Oasis - ‘D’You Know What I Mean?’, Nine Inch Nails - ‘The Perfect Drug’, Slipknot - ‘Eyeless’ and Björk - ‘Crystalline’.
The concept of sampling: where did it come from?
It was in the 70’s when the concept of using a ‘sample’ was brought about. Musically speaking, sampling is the process of taking a portion of a sound recording and reusing it on a separate piece of music. More often than not, this is done through a ‘rhythm break’ whereby a small section is sampled from one piece of music to form the beat on another track. It is through the sampling method that a piece of music can transform from average to being equipped with a catchy and memorable rhythm, making it hard to forget!
So as a result of this, DJ’s, musicians and artists like Skrillex and Jay-Z are continually in search of a melody ostinato/lick or drum pattern, that has the ability to resound in your mind long after it has been heard, leaving the taste of desire to hear it again… which is how the ‘Amen Break’ became one of the most extensively used rhythm across all genres of music.
Unfortunately, The Winstons never received any royalties for their original creation. However, in 2015 a DJ from the UK created a ‘GoFundMe’ page in the name of Richard Spencer, the singer and saxophonist from the band, to acknowledge and give appreciation to the ‘Amen Break’, whereby 2,000 people have donated $24,000!!
More and more artists are recording their own material nowadays with ever evolving technology accessible to them.
A basic knowledge of sound engineering will enable you to record your work, analyse your playing and help you understand what is happening to your track in a recording studio.
Stereo overheads, close mics on each drum, as well as room mics seems to be the standard for recording drums. However today I'd like you to read about a simple technique I use for getting great drum sounds with 4 microphones only, the Glyn Johns method. It is what I use at livestudios.
From Wikipedia: "Johns developed a unique approach to the recording of drums, sometimes referred to as the "Glyn Johns Method", that rarely employs more than two or three microphones, and which usually keeps one mike hoisted several feet overhead to achieve natural perspective of the whole kit, as well as one off to the side (not far from the floor tom tom), and one near to the bass drum. The key to the method is to keep both the overhead mike and the side-mike equidistant from (and pointed at) the centre of the snare, aimed in such a way of forming a triangular pattern (with the three corners being the snare, the side-mike, and the overhead mic).Johns prefers not to close-mike the individual drums, except occasionally the snare drum". See original article here, or read below for the the detailed method.